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A painting by Hafsa Imran

SumudA Dove for Palestine

A girl, her braid, and a dove that chose to stay.

Sumud (A Dove for Palestine) is a painting by Lahore artist Hafsa Imran. A girl in a black-and-white Palestinian keffiyeh stands in profile, eyes closed and face lifted, with a grey dove standing on her head. Sumud is the Arabic word for steadfastness.

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Sumud (A Dove for Palestine), a painting by Hafsa Imran: a girl in profile with her eyes closed and face lifted, a long auburn braid and a black-and-white Palestinian keffiyeh over a dark red dress, a grey dove standing on her head, against a band of deep red between weathered grey panels
Hafsa Imran, Sumud (A Dove for Palestine). Hand-painted by Hafsa Imran.

Look closely

What is in the painting

A girl stands in profile against a band of deep red, between two panels of weathered grey. Her eyes are closed and her face is lifted upward.

A long auburn braid falls down her back. Around her shoulders she wears a black-and-white keffiyeh, over a dark red dress.

On the crown of her head stands a grey dove. It is not flying; it has landed, and she holds still beneath it.

Artist
Hafsa Imran (Lahore, Pakistan)
Title
Sumud (A Dove for Palestine)
Form
Painting
Images
Digital presentation of the painting, prepared with AI tools from a photograph of the canvas.
Detail of Hafsa Imran's Sumud: a grey dove standing on the girl's head against the red ground
Detail. The dove, landed and staying.
Detail of Hafsa Imran's Sumud: the girl's face in profile, eyes closed, lifted upward
Detail. Eyes closed, face lifted: feeling the dove rather than seeing it.
Detail of Hafsa Imran's Sumud: the black-and-white keffiyeh pattern around the girl's shoulders
Detail. The keffiyeh, its net pattern and bold black lines.

The story

Reading Sumud

Steadfast

Sumud is the Arabic word for steadfastness. For Palestinians it has become a value of its own: to stay, to remain on the land, to keep living with dignity. Its best-known symbol is the olive tree, rooted and slow to move.

The girl in the painting is not running and not afraid. She stands still, eyes closed, face lifted. That stillness is the subject.

The keffiyeh

The black-and-white keffiyeh is worn across the world as a sign of Palestine. In folk tradition its patterns are read as the fishnet of the sea and the fishermen of Jaffa and Haifa, as olive leaves for rootedness, and as bold lines for the old trade routes. No single meaning was ever fixed; they are passed on by word of mouth, like the scarf itself.

Here it is wrapped around a child's shoulders, the way it is wrapped around a family.

A dove that stays

In Genesis the dove returns to Noah with a fresh olive leaf, the sign that the waters had gone down and life could begin again. In 1949 Picasso drew a dove for the Paris Peace Congress, and it became the world's sign of peace.

Hafsa's dove does not fly away. It has landed, on a child, and she does not look up at it. Her eyes are closed, as if peace were something felt before it is seen.

What makes life worth living

Mahmoud Darwish, regarded as the national poet of Palestine, was born in al-Birwa, a village in the Galilee that was destroyed in 1948. His best-known poem begins: "We have on this land what makes life worth living."

It goes on to name small things, like bread baking at dawn and grass growing on a stone. The painting names three more: a girl, her braid, and a bird that chose to stay.

The description and reading on this page are written by the Bloom & Beyond studio. They are our reading of the painting, not a statement by the artist.

Ask about the work

Interested in Sumud?

Collectors, curators, writers and anyone the painting has stayed with can message the studio directly. Hafsa reads every message.

Share the work

Sumud, ready for every screen

Share it with credit to Hafsa Imran and a link to this page. For print, publication or any commercial use, please message the studio first.

  • Sumud (A Dove for Palestine), a painting by Hafsa Imran: a girl in profile with her eyes closed and face lifted, a long auburn braid and a black-and-white Palestinian keffiyeh over a dark red dress, a grey dove standing on her head, against a band of deep red between weathered grey panels

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